We have a fine art digital printing laboratory. We print on 100% cotton paper, in the standard of museum quality, ensuring unimaginable shades and textures.
Difference detail: Inks based on original mineral pigments and cotton papers with neutral pH, acid free, guarantee ISO 9706 standard.
Our papers are manufactured by centenary companies such as the French Canson, the German Hahnemühele and others.
If well preserved, fine art printing has the ability to withstand over time in an estimated 200 years.
A fine art print is not restricted to the universe of artists, anyone who wants to ensure a stunning print has access to the service.
A fine art print is not restricted to the universe of artists, anyone who wants to ensure a stunning print has access to the service. We also have a Lado B aimed at those who do not give up quality and aesthetics but are looking for a lesser expensive service. With a wide range of media, this printing can be done on fabrics, adhesives, photographic paper, vinyl and canvas.
Currently, to a great extent, the works of visual artists and other professionals in the city, materialize under our affectionate care, with a handcrafted sense, combining the preservation of the environment added to the technical quality. That is what we believe!
The production of quality print begins much earlier than its materialization, a path that goes from capture to exposure. The care with the image begins long before it is seen on paper, in its digital version, in its original state and size. You must then prepare this image very well so that it gains in printing quality with services such as revisions, retouching, removal of imperfections and color adjustments. It is in the summit of the experiences and expertise of Elton Gomes, Elizabeth Guabiraba, Camila Pessoa and Wesley Nogueira, that we make our work more qualified. We rely on new technologies (software and specialized editing tools) that allow the printed image to reach a level of aesthetic quality and durability. Technique, knowledge, experience and sensitivity all together and mixed.
The process can also be inverted. The incoming image can be scanned and transformed into digital code. This is done through equipment and software scanners. At Sem Título we use state-of-the-art technology that even allows us to restore images damaged by time, old collections, memory records and make them come to life again.
It is a graphic finishing process in which a printed material receives on its back a layer of thin and transparent polyethylene. There are several types of lamination that can enhance either the glow or the opacity of the support. It is sugested to avoid both erosion of the print and paling caused by the environment.
The varnish application on the photographs is used to protect them from external damage, digital marks and humidity. Through the spray, the varnish is evenly distributed on the piece, making the colors and pigments fix, thus preventing color loss.